Monday, March 18, 2013

Mother Temple of Besakih

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The early morning sun hits the spires of Pura Besakih
PuraBesakih is located in Indonesia Bali
Pura
Besakih
Location in Bali; high on Mount Agung
The Mother Temple of Besakih, or Pura Besakih, in the village of Besakih on the slopes of Mount Agung in eastern Bali, Indonesia, is the most important, the largest and holiest temple of Hindu religion in Bali,[1] and one of a series of Balinese temples.


History

The temple probably dates to the fourteenth century.[citation needed]

Location

It was built on the south slopes of Mount Agung, the principal volcano of Bali.

Architecture

This Mother Temple is actually a complex made up of twenty-two temples that sit on parallel ridges. It has stepped terraces and flights of stairs which ascend to a number of courtyards and brick gateways that in turn lead up to the main spire or Meru structure, which is called Pura Penataran Agung. All this is aligned along a single axis and designed to lead the spiritual person upward and closer to the mountain which is considered sacred.[2]
The main sanctuary of the complex is the Pura Penataran Agung. The symbolic center of the main sanctuary is the lotus throne or padmasana, which is therefore the ritual focus of the entire complex. It dates to around the seventeenth century.[3]
A series of eruptions of Mount Agung in 1963, which killed approximately 1,700 people[4][5] also threatened Puru Besakih. The lava flows missed the temple complex by mere meters. The saving of the temple is regarded by the Balinese people as miraculous, and a signal from the gods that they wished to demonstrate their power but not destroy the monument the Balinese faithful had erected.

Festivals

Each year there are at least seventy festivals held at the complex, since almost every shrine celebrates a yearly anniversary. This cycle is based on the 210-day Balinese calendar year.[3]
It had been nominated as a World Heritage Site as early as 1995, but remains unvested.[6]
ecak Dance
Kecak Dance, Uluwatu
 black_mimi99 Says:  when sun almost down, we can see the kecak dance show... The Kecak Dance while look this sunset is every night performed and very popular.About 50 male choruses like "Cak Cak Cak..." are rhythmical. In addition, demon king Rahwana or white monkey Hanoman are approach the... 
Visit Uluwatu temple, Uluwatu
 austarman Says:  This temple is one of the oldest and most sacred temples in Bali with an absolutely fantastic view out over the Indian ocean from the top of some huge cliffs.It's a great cultural experiance to walk through this old temple with a local person who can explain the layout and... 
Calyx-The Upscale Spa, Uluwatu
 balisunshine Says:  If you’re stationed at the Bukitwhile visiting Bali,and desire a luxurious pampering,but don’t want to drive down to the Bali downtown,then opt a spa session at the Calyx.Prices are not cheap here,but if you have the cash or that special occasion,then this spa may be a... 
http://wikitravel.org/upload/shared//thumb/f/fe/Bali-Ubud-Map.png/600px-Bali-Ubud-Map.png
Ubud, a town in central Bali, is far removed from the drunken bikini scene in Kuta, and is regarded as the cultural centre of Bali. It is famous as an arts and crafts hub, and much of the town and nearby villages seems to consist of artists' workshops and galleries. There are some remarkable architectural and other sights to be found, and a general feeling of well being to be enjoyed, all thanks to the spirit, surroundings, and climate of the place.

Understand

While Ubud seems to outsiders like one small town, it is in fact fourteen villages, each run by its own banjar (village committee). Ubud has grown rapidly, and some central parts are creaking under the strain of coping with the number of visitors. That said, most development is sympathetic to the zeitgeist, if not designed specifically in the local style. Growth continues apace, but there are still terraced rice fields along the rivers, and away from the town centre, regular, quiet village life carries on relatively undisturbed.

History

In many ways, the history of the Ubud area (not so much the modern day town) is the very history of Bali itself.
Ubud has a known history back to the eighth century, when the Javanese Hindu priest Rsi Marhandya came to Bali from Java, and meditated at the confluence of the two Wos rivers at Campuan, just west of the modern day town centre. A shrine was established and later expanded by Nirartha, the Javanese priest who is regarded as the founder of Bali's religious practices and rituals as we know them today. At this time the area was a centre of natural medicine and healing, and that is how the name Ubud originated: Ubad is ancient Balinese for medicine.
Further temples and monasteries were established over the next 400 hundred years or so. The temple complex at Gunung Kawi, and the cave temples at Goa Gajah (just east and northeast of Ubud), are architectural remains from this period. Many of the dances, drama and rituals still practised in Ubud today, originated at this time. King Airlangga ruled all of Java and Bali in this era, and his seat of government was located in what is now the village of Batuan, just southeast of Ubud.
The Javanese Majapahit kingdom conquered Bali in 1343, and the key final victory was against the Pejeng Dynasty centred at Bedulu, just to the east of Ubud. A great flowering of Balinese culture followed, and the ancestry of Ubud's current day aristocratic families can be traced back to this period. In the sixteenth Century, there was a total transplantation of the Majapahit Kingdom to Bali as the Islamisation of Java forced them eastwards. Power flip-flopped between various dynasties and feudal lords, but the Ubud area remained a very important cog in the various regencies which ruled the island.
Goa Gajah originates from the 9th century
In 1900, Ubud became a Dutch protectorate at its own request, and the colonialists interfered little, allowing the traditional arts and culture of the area to remain relatively unchanged. The modern era of Ubud perhaps began in the 1930s, when foreign artists were encouraged by the royal family to take up presence in the town. From their Ubud base, the likes of Walter Spies and Rudolph Bonnet were instrumental in promoting an understanding of Balinese art and culture worldwide. From the 1960s onwards, travellers started to arrive in earnest, mostly intrepid types as the infrastructure was still very limited indeed. Since then, Ubud has developed rapildy into a high profile, top class international destination, whilst still maintaining its integrity as the centre of Balinese art and culture.

Orientation

Orienting yourself in Ubud is fairly straightforward. The town sprawls for several kilometres in all directions, with all of the small villages within a five km radius of the central market being loosely referred to as "Ubud". If you choose a reasonably central place to stay, it is easy enough to get around on foot.
Central Ubud has three main streets: Jl Raya Ubud, Jl Monkey Forest and Jl Hanoman. At the intersection of Jl Raya and Jl Monkey Forest are Ubud Market, Ubud Palace, and the main bemo stop — unsurprisingly, there's also a near-permanent traffic jam here.
Jl Monkey Forest, which runs south through town to the Monkey Forest, is a built-up area, and home to a wide array of accommodation, art galleries, and cafes, as well a number of local services such as schools, a sports field, pharmacies, and travel agents. Jl Hanoman, which runs parallel to Jl Monkey Forest just to the east, is a bit quieter and makes for more pleasant walking.
To the immediate west and northwest are the villages of Campuan (Tjampuhan, Campuhan) and Kedewatan, home to some of the most upmarket hotels in the whole of Asia, with views over valleys sculpted by the Ayung and Wos rivers.
Directly to the south, past the Monkey Forest and still within a twenty minute walk of the central market, is Padang Tegal which then runs into the southern villages of Nyuh Kuning and Pengosekan, about three km from central Ubud. Directly to the east is the village of Peliatan, and then Teges and Bedulu, home of the ninth century Goa Gajah (Elephant Cave).
Tanah Lot is one of the important directional temples in Bali. The temple is located on a rock just offshore. It is said to be the work of revered 15th century Hindu priest Nirartha and forms an important element of Balinese spirtualism and mythology.
File:Tanahlotbali1.jpg
This is an extremely popular tourist destination and the whole area is often very busy indeed, especially in the late afternoons, pre-sunset. The area between the car park (Rp 5,000 per vehicle) and the beach adjacent to the temple is a maze of souvenir shops selling just about every Balinese trinket imaginable.
Once you have fought your way through the souvenir vendors to the beach, you will see the magnificent temple perched on a rock just a few metres offshore. There is a footpath to the raised cliff area just to the south from where the views of the temple and the sunset behind it are outstanding. Photo-opportunities abound. Entry fee is Rp 10,000.
Restoration of the Temple. A comprehensive restoration programme started in the 1990s when it was realised that the rock was seriously eroded and in danger of collapse. This major work resulted in the actual temple being out of bounds which is still the case as of February 2013. This is not really a hindrance to visitors though as entrance to the actual temple is not the key attraction.
http://wikitravel.org/upload/shared//d/d9/Pura_tanah_lot_sunset_no3.jpg

Pura Ulu Danau Bratan in Bali

Pura Ulu Danau Bratan in Bali
Pura Ulu Danau Bratan in Bali
This is the most picturesque temple on the island. Situated on Lake Bratan, this half-Hindu, half-Bhuddist temple juts out onto the lake. An important irrigation temple dedicated to Dewi Danau, the Water Goddess. The 11-roofed meru is a spectacular sight at dawn or dusk. The nearby Botanical Gardens (Lila Graha) are a definite must see.